“Allegories of Origins: Frankenstein after the Enlightenment.” Studies in English Literature. Vol. 56. No. 4. Autumn 2016. Pp. 777-798.
“Free Indirect Filmmaking. Jane Austen and the Renditions (On Emma Among its Others). Constellations of a Contemporary Romanticism. Fordham UP, 2016. Pp. 248-66.
“Tragedy, Trauerspiel.” German Aesthetics: Fundamental Concepts from Baumgarten to Adorno. J. D. Mininger & Jason Michael Peck. Bloomsbury Academic, 2016.
Nothing: Three Inquiries in Buddhism (University of Chicago, 2015). Written with Eric Cazdyn and Timothy Morton.
“The Replication of Ideology: A Conversation Between Adrienne Shaw and Marcus Boon“, Journal of Games Criticism, 2016.
“On the Bowerbird, the Difunta Corea and Some Architectures of Sense: An Interview with Alphonso Lingis.” Scapegoat, Eros Issue, spring 2016.
“Between Scanner and Object: Drugs and Ontology in Philip K. Dick’s A Scanner Darkly,” in The World According to Philip K. Dick, eds. Alexander Dunst and Stefan Schlensag (Palgrave, 2015).
“Depropriation: The Real Pirate’s Dilemma” in Postcolonial Piracy, eds. Lars Eckstein and Anja Schwarz (Bloomsbury Press, 2015).
“Diasporic Citizenship and the De-Formations of Citizenship.” The Oxford Handbook of Canadian Literature. Cynthia Sugars. Oxford: Oxford UP, 2016. 527-38.
“Recalibrating Intimacy: Temporalities of the Rural in Elyse Bouvier’s Chinese Restaurant Photographs.” Imaginations: Journal of Cross-cultural Image Studies 7.1. Special issue: North by West. Eds. Kyler Jenner and Andriko Lozowy.
Under the Lucky Moose: Belatedness and Citizen’s Arrest in Canada.” Canadian Journal of Law and Society 30.1 (2015): 147-62. (co-authored with Anita Lam, Criminology, York University). Honourable Mention, Best English Article 2016, Canadian Law and Society Association.
Data Mining the Deceased: Ancestry and the Business of Family. Written & Directed, J. Creet. World broadcast premier: TVO. 01 Feb 2017.
G. Adler: Life, Literature, Legacy. Co-edited with Sara Horowitz and Amira Dan. Northwestern UP, 2016. Winner of the Canadian Jewish Literary Award for the best book in Jewish Thought and Culture.
Symposium Co-organizer. Paris in Post-War Jewish Literary Memory. York University May 24-25, 2016.
Culinary Shakespeare: Staging Food and Drink in Early Modern England. Eds. David B. Goldstein & Amy Tigner. Duke UP, 2016.
Shakespeare and Hospitality: Ethics, Politics, and Exchange. Eds. Julia Reinhard Lupton & David Goldstein. Routledge, 2016.
Lost Originals. BookThug, 2016. (Poetry)
“Translations/Traductions.” University of Toronto Quarterly. Vol. 85. No. 3 (Summer 2016), pp. 268-299.
“Action Research in Translation Studies: Building Relationships with Education Science, Library Science and Literary Translator Communities.” Communities in Translation and Interpreting. Eds. Kristiina Taivalkoski-Shilov, Liisa Tittula & Maarit Koponen. Montréal: Éditions québécoises de l’œuvre, collection Vita Traductiva, January 2017.
Making the Rounds. (short stories). Edmonton: Edge, 2016.
“The Mini-Cycle in Clark Blaise’s Resident Alien.” Clark Blaise: Essays on His Works. Ed. J. R. “Tim” Struthers. Toronto: Guernica, 2016. 259-86.
“Crossings and Transformations: An Interview with Clark Blaise (2000).” Clark Blaise: The Interviews. Ed. J. R. “Tim” Struthers. Toronto: Guernica, 2016. 61-87.
Review of Blast, Corrupt, Dismantle, Erase: Contemporary North American Dystopian Literature, ed. Brett Josef Grubisic, Gisèle M. Baxter, and Tara Lee. University of Toronto Quarterly 85.3 (2016): 562-63.
“Bus Opera” (short story) Influence and Confluence: East and West: A Global Anthology on the Short Story. Ed. Maurice A. Lee. Shanghai: East China Normal University Press, 2016. 294-99.
Editor. After Identity: Mennonite Writing in North America. University Park: Pennsylvania State UP, 2015; Winnipeg: University of Manitoba Press, 2016.
“Introduction: Mennonite/s Writing in North America” (1-18)
“The Mennonite Thing’: Identity in a Post-Identity Age” (106-22)
“‘A Garden of Spears’: Reconsidering the Mennonite/s Writing Project.” Mennonite Quarterly Review 90.1 (2016): 29-50.
“The Transnational Return: Tracing the Spatial Politics of CanLit.” Studies in Canadian Literature. 41.1 (2016): 102-124.
“Space and the Postcolonial Novel.” The Cambridge Companion to the Postcolonial Novel in English. Ed. Ato Quayson. Cambridge: Cambridge UP, 2016. 208-29.
“Beyond the Entwurf: Project for a Scientific Death Drive.” Pivot: A Journal of Interdisciplinary Studies and Thought. Vol 5, No 1 (2016), pp. 126-52.
"Select Here and Then: Theatricalizing Space–Time Compression in Philip Ridley's Mercury Fur." Theatre Survey Vol. 58 No. 3, September 2017, pp. 352-74.
(with Amber Christensen & Daniella Sanader). “A Speculative Manifesto for the Feminist Art Fair International: An Interview with Allyson Mitchell and Deirdre Logue of the Feminist Art Gallery.” Desire / Change: Contemporary Feminist Art in Canada. Ed. Heather Davis. McGill-Queen’s UP, 2016, pp. 257-69.
“We Should all be Feminists.” Book Review. Canadian Woman Studies Journal. Winter 2015.
“Material Girls Takes Up Space at the Dunlop.” Exhibition Review. Canadian Art. April 2015.
“The 'Third Space' and the Questions of Identity in Jean Rhys’ Wide Sargasso Sea. Localities Vol. 5 2015, pp. 65-88.
“Big About Green: The Ecopoetry of Earle Birney.” Canadian Literature Vol. 226, Autumn 2015, pp. 76-93.
Co-author. “American Bully: Fear, Paradox, and the New Family Dog.” Special issue of Otherness: Essays & Studies Vol. 5 No. 2, 2016.
“Shadows Pass the Surface: Decolonial (Re)Configurations of Indigenous Presence in Merle Collins’s Colour of Forgetting.” Cultures of Resistance? Theories and Practices of Transgression in the Caribbean and Its Diasporas. Surrey, UK: Ashgate. Forthcoming 2017.
"601 Christie Street." Canthius 1 (2015): 24.
"Rent: Constructing Community." International Journal of Media & Cultural Politics 11.2 (2015): 225-38.
"John MacKenzie's 'Georgetown Memories': Re-imagining Home and Homeland." Discovering Diaspora: A Multidisciplinary Approach. Inter-disciplinary Press. 2015.
“How Can We Talk About Affect in Digital Performance?” Digital Performance. Spec. Issue of Canadian Theatre Review 159.1 (2014): 82-85. Print.
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